The second song of Carlos Cipa's Munich Session recreates „Arkata“, a very freely played piano song on the edge of being too quiet to hear the circular figure the piece is based on. At moments, a subtle melody bursts out of the cloudy patterns and causes slight shifts in rhythm and mood.
»arkata« highlights Carlos’ idiosyncratic style as a pianist and composer. His playing is gentle and humble, imbuing the music with both a subtle melancholy and graceful poise – minimal means achieve maximum effect.

Carlos played the grand piano D-232 from the piano manufacturers Steingraeber in Bayreuth, Germany. http://www.steingraeber.de

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